NA BATIDA DO MORRO

There has always been distortion somewhere in beabadoobee’s music. Sometimes it sat right at the surface, as on the fuzzier moments of Fake It Flowers. Sometimes it was softened by the dreamy architecture of Beatopia. And on 2024’s This Is How Tomorrow Moves, it frequently became part of a more polished kind of alternative pop, one that suggested Bea Laus was getting increasingly comfortable making records big enough to match the audiences now waiting for her. On Pylon, her fourth album, she turns the guitars back up. Released September 18 through D irty Hit/Interscope, Pylon arrives two years after This Is How Tomorrow Moves and pushes beabadoobee toward a heavier collection of reference points: grunge, Midwest emo, ’90s alternative radio, and the sort of emotionally oversized guitar music that can make a private grievance sound enormous. That direction is apparent in the album’s guest list alone. Hayley Williams is here. So are Turnstile’s Brendan Yates, Deftones singer Chino Moren...

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 Teste Teste TesteTeste Teste TesteTeste Teste TesteTeste Teste TesteTeste Teste TesteTeste Teste TesteTeste Teste Teste

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